Emily’s photograph currently resides in Beckenham (a London suburb, or a town on the fringes of Kent depending on your point of view), on our dining table. The photograph is a delicate thing and handling it makes me worry protectively at its ephemeral nature and about its onward journey, but hey it made it from Canada to here (thanks, Karen!).
It’s been both fascinating and daunting to see artworks accumulate around the project’s central image. For my own contribution I wanted to make a work that could not exist without Emily’s photograph; I deliberately set out to make an adjunct to it.
My immediate question on receiving the package was what was going on on the train when Emily took her shot. So, I got on the train to find out.
Once I started photographing people in the carriage, I realised it was their hands that would tell my story. And a book seemed like an appropriate way to go form-wise. Over several days, I took a lot of surreptitious photographs of hands. These I narrowed down to a “top ten”, which became the recto pages of the book. Aside from the title page and a basic colophon there is no text in the book. It’s constructed from inkjet card, double-sided coated paper and a couple of staples.
Here are a few of the original shots:
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I wonder where this photograph will travel to next. The journey hasn’t been completely mapped out yet. If you would like to participate in the project take a look here.
If you want to know more about how Journey of a Photograph started visit Emily’s blog. To visit my blog go here.
It has been a pleasure to guest edit as part of this project. Thank you very much, Emily!
Images 2-6 © Richard Guest, 2013